Typical pass story, but I like the transition at :42. I got the second shot first, and wasn't really planning on putting a shot in front of it... But at our live location it was snowing and KIRO had their 1K on and I used that..
windows
http://depository.shadowtv.net/media/259/2007/365/02/16626_259_20071231_020040_139.wmv
Quicktime
http://depository.shadowtv.net/media/259/2007/365/02/16626_259_20071231_020040_139.flv
1 comment:
Eric,
I loved loved loved the transitions with light. Well done! When I saw that on TV the day it aired, I said to myself "I need to use that idea". I have seen it once or twice. But it was well done here.
I would have used it as well to move from the night to the daylight skiing.
One thing, and I understand time crunches, but the nats during the track are a bit hot and sometimes they just dropped off. But we have all done that. A lot of times I just hit the video (off) button during the edit and then carry the nats off. Its easer when you always have your track and sots on track 1, and you know where your nat breaks are. Because I have ran over those before when ramping my audio.
I hope that makes sense.
Pete
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